About me

I’m a documentary filmmaker and humanitarian communication specialist working across the Mediterranean, the Middle East and East Africa. For over ten years, I have been telling human stories from crisis, post-conflict and marginalised contexts, focusing on migration, displacement, housing rights, gender identity and social justice. My work combines documentary cinema, visual journalism and strategic communication, with a strong attention to ethical and protection-sensitive storytelling. I collaborate with NGOs, international organisations and independent productions, developing films and multimedia content for advocacy, institutional communication and public engagement. Alongside my filmmaking practice, I also work as a journalist and trainer, supporting young people and communities in using storytelling as a tool for representation and change. This blog is a space where I share my work, ongoing projects and reflections on documentary filmmaking, humanitarian communication and the responsibility of telling other people’s stories.

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Gaza Increasingly Alone: “Aut, Aut to Médecins Sans Frontières”

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Originally published in Italian on Il Gazzettino Vesuviano . This winter has been extremely harsh for Palestinians. The cold has been severe, the rain seemingly endless. Images of flooded camps and tents submerged in mud overlap with those of continuous explosions. Alongside daily destruction, winter itself has become a slow and cynical weapon. According to a UNICEF report dated January 20, 2026, at least seven children have died of hypothermia this winter in the Gaza Strip — including newborns and very young children — due to exposure to cold without adequate shelter. A United Nations update cited by Anadolu Agency raises that number to eleven children who died from hypothermia in extreme winter conditions. These figures are not limited to war-related health risks; they show how winter itself has become lethal for a population forced to live in tents, makeshift shelters, or damaged homes, without protection from cold, rain, and humidity. To this already extreme scenario, a...
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WHEN THERE IS AN EAST AND A WEST EVEN IN AMMAN

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Hasmi Shemali, street art telling the story of human rights by Ciro Scuotto Read the original article in Italian on Il Gazzettino Vesuviano I have been living in Amman for more than a year now. I travel back and forth to Naples often, but here I no longer use a GPS, I speak broken Arabic—just enough to buy coffee and bread—and when I introduce myself, I often say my name is Abu Nour. It’s my way of saying: I’m trying to stay. At first, Amman felt like a welcoming city, booming and expanding. New, expensive electric cars were everywhere. A widespread, almost ostentatious sense of wealth. I kept wondering where all that money came from, in a country that produces little and imports almost everything. Over time, I realized that Amman only lets itself be understood on the surface. To truly know it, you have to move. Go inside. Look longer. The first tour is always the same: downtown, the Roman Theatre, the souk, the Citadel. An ancient history, shaped also by colonialism. ...
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"Hope"

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🎥   Hope   – A Film About Possibility, Dignity, and the Right to Dream Over the past few months, I had the opportunity to work with   Amala Education   in Amman, Jordan — an organisation that provides transformative learning to young people who are often displaced, excluded, or left behind by traditional systems. During my time there, I directed a short documentary called   "Hope"   — a visual portrait of the Amala learning community, seen through the eyes of the students themselves. This film is about more than education. It’s about resilience, dignity, and the small, radical act of imagining a different future. 🔗   Watch the film here:  Why This Film Matters As a filmmaker and communication specialist working in humanitarian and development contexts, I’m often struck by how stories of crisis overshadow the quiet, persistent work of rebuilding.   Hope   tries to do the opposite: it centers the everyday brilliance of students who refus...
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